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Peach of a shot

Medal of Honor: Heroes 2Image via WikipediaOnline gameplay is something I have dabbled with on and off over the years, more off than on, in fact, because my newbie-ness in such environments always resulted in brief adventures before becoming easy meat for the veterans.

Back at BBC Online (when it was so named), we would occassionally spend the licence fee payers cash by indulging in Quake across the network. I never lasted long. More recently, I died quickly playing Fall of Man on the PS3. And just the other night as my Wii spun, I was emphatically shot dead during a Medal of Honor Heroes 2 session by some determined psycho.

My regular reader (for I know you are but one) may recognise a previous blog entry of mine on a similar theme - the behaviour of the killers in online environments.

What struck me about my latest death, apart from a single shot to the head, was the sheer performance of my killer. I mean performance in the theatrical sense. There I was, an Axis grunt with an MP40, creeping through the undergrowth trying to capture the flag, and I was getting mighty close. All I needed to do was break cover, charge between a barn and a farmhouse and I would be there. There were a few empty beer bottles on the table so I was not as alert as I usually am. Thinking I was in the clear, I set off only to be confronted by the enemy, suddenly right in front of me. Where did he come from? It was like he'd been watching me for ages. He held his pose, rifle aloft for half a second, giving me just enough time to realise he had been watching me, and knowing full well I'd never be quick enough to shoot first. I flicked my wrist to aim the Wiimote but was far too slow.

A single shot cracked, the colour in the screen faded and I fell on my side, my last impression being this fellow watching me from a distance.

It was great. I must do it myself someday.
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I love this poster


That is all.

Petty revenge, secondhand pants, and full bladders


LAST Tuesday found me in the John Bull pub watching the second leg of the Championship play-off game between Bristol City and Crystal Palace, hoping the latter could return from a 1-2 home defeat in the first leg. The quietish barman (but he always has time for the ladies, I have observed) served me a Guinness and, as he always does, switched the TV over to Sky so I could see Palace fail.

There were maybe half a dozen people in there, me the only football fan. It's usually like that in the John Bull. Palace playing City was interesting to me not just because it would be great if the Eagles triumphed after such a dodgy start to the season, but also because City's assistant manager, Keith Millen, was a childhood neighbour of mine. He lived around the corner, we played footie together, our mums got on and this, being the hard-pressed 1970s, clothes were passed on and handed down among families and friends. I, for example, distinctly remember getting a pair of Millen's underpants.

(They were blue. And even as a single-digit aged kid, I recall feeling a little unsettled at secondhand pants, but let's not go there...)

I saw Keith on and off over the years as he tried out for Palace (got released), then went to Southampton if I remember correctly (got released again), before being offered a contract with Brentford, transferring to Watford after a good number of years, and finishing up at City.

He became someone on the outer, outer limits of celebrity, like most lower division footballers, I suppose. If Becks was the centre of Saturn, then Keith was probably dangling off the ring furthest away. That's not a criticism, just an observation of the layers of fame. I'd see him from time to time on the telly or web and think, "Ah, that's Keith. I used to wear his old underpants." My mum would mention some tidbit of his life after she'd spoken to his mum. I'd probably barely recognise him if he walked by me now. He became a name, someone I could claim as an associate who carried a caul of achievement with him, which was more than me.

Back in the John Bull, and I watch as Clint Hill goes studs first into a challenge but wins the ball, getting a yellow card in the process. Millen's off the bench, having a shout. Palace's Clinton Morrison charges over. The pair handbag it. Morrison gets a yellow. Keith gets sent to the stands. I giggle into my Guinness, and start thinking about this blog. And I dredge up from my childhood memory a bizarre recollection, something shimmering in the hot, long summers one enjoyed as a kid when school was a long way both behind and in front, and August felt like three months, not one.

I remember, then, Keith Millen's method for dealing with a full bladder when there is no toilet in the immediate vicinity.

The strange things one keeps. I never tried it, and wouldn't now, but you might want to. Keith Millen said the way to ease this discomfort of needing a piss was to dance around like a fairy.

Skip. Bounce. Fey. (Apparently he's known as Milly at Bristol.)

He demonstrated his art to small group of scruffy nippers with knees grazed from playing football in a cul-de-sac. I can't remember if anyone else tried it. It doesn't matter.

What does matter is my revenge. For, as you may well know, Palace clawed their way back into the play-off game, first drawing level but then missing a penalty that would have put us in the lead. City popped in a couple of beauts during extra time and the game was theirs.

I suppose City deserved it. But following football is about being petty. So even though we lost the game, I rest easy knowing Palace don't mince when they need to wazz.

Goodbye

BBC - Movies - Homepage

It ends. This site was home for a good half decade. But I am glad I got out when I did.

Farvel.

Tom Waits shows why he really is one in a million

Avant-garde on the FM


LISTENING to sideways, electro-zap popsters Radiohead on an in-car FM transmitter presents some problems, as I discovered this morning. As I whizzed up the motorway and got into the more deserted areas of Denmark, strange local broadcasters started muscling in on the empty frequencies my cheapo Belkin occupies when bouncing an MP3 signal to the car radio.

The occasional hiss and crackle left me wondering, is this a Radiohead song or just interference? At one point, the volume of the track playing sunk so low, the Belkin though the player had been turned off and so duly shut itself down.

Lesson: save your weirdo music for home and interference-free environments.